Fazil Say DEBUSSY Préludes SATIE Gnossiennes & Gymnopédies

Given Fazıl Say’s proclivities for interpretative monkeyshines, I’m happy to report that the pianist largely exhibits good behaviour throu...

Hélène Grimaud MEMORY

Music has been described as a means of rescuing that which is lost – a simple yet persuasive idea and one which informs Hélène Grimaud’s w...

Marta Brankovich BLACK SWAN OF PIANO

Be transformed by the haunting intensity of Brankovich’s performance in Black Swan of Piano. Extending from the melancholic forms of 19th ...

Anne Queffélec ENTREZ DANS LA DANSE...

The same qualities as on her delightful cornucopia ‘Satie & Compagnie’ (4/13) are on display again in Anne Queffélec’s programme of da...

Anne Queffélec SATIE & COMPAGNIE

From the wit of Satie to the to the poetry of Debussy, French music of the early decades of the twentieth century was created by exceptiona...

Ray Chen THE GOLDEN AGE

Recognized as a musician of “phenomenal talent” by The Washington Post , Chen has handpicked a selection of works for his new album which ...

Alice Sara Ott NIGHTFALL

On her new album Nightfall , Alice Sara Ott takes a very personal look at the magical moment in time and space between day and night, ligh...